Minimalist, copiously supplied gently catchy melodies and subtle chords, this album is like the unplugged version of a best of. Hard not to fall in love with the dozens of titles after a prolonged listening loop, time to soak up the atmosphere in each piece, to penetrate the secrets of each composition and settle there. There is a little Elliott Smith in this nonchalant concatenation of beads that reminds me of the acoustic Either / gold latter. We focus on discovering the album for the first time evidence of the most notorious. The feeling very Nirvanien 'One More Joke' (great dissonant interlude at 1:40 - I love), the catchy melody of 'Steps Down Theses' arpeggios on 'Guity Crowd' which evokes the Creedence Clearwater Revival, rock 'All It Gives' and the catchy melody and effective 'Big Wood Cross' before being struck by nostalgia deaf 'Word of Happyness' euphoria worried 'Nice Day', the simple beauty and light 'Fluid' (title song deserved), the revolt ironic 'The worst of all' , poetry foggy 'Shell', the melancholy resignation of 'You Belong to This ", or chiaroscuro of felted' Sun Ways'. The voice is still as perfect, precise and inimitable. And I like this album definitely does not deliver fully on first listen and requires some diligence to deliver its riches, the apparent monotony then erased to make room for wonder.
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