Beautyful Agony Free Vids

Balenciaga Paris


I must admit that its expected output with a form of impatience! Ten fan of Balenciaga, a lovely purple agreement / iris, powdered to perfection, and still air of 1947, I was in expectation of this new opus whose nose is another designer Olivier Polge, and the artistic director Nicolas requiring Ghesquière.
Violet is supposed to yield its full potential in this orchestration of the 2000s.
So yes ... in fact, it's good that this is purple, with, like Guerlain Insolence or even "Love Me for Caron," always "this dimension slightly sweet and fruity significantly contributed to the floral and woody. I write the word "always", because this trend fruity is recurring and almost omnipresent in perfumery for some years.

Top notes thus suggest to my nose, obviously, a salad of red fruits, cherries, pears and juicy in which we have very generously deposited and broken shards of violet sweets, not to mention the small pinch of pink pepper (trendy, they also ...) to add spice and "sharpen" the whole.

Second Water fragrance powder, fairly cosmetic. This is not unlike the smell of some of our other compacts and lipsticks.
As the faint fruity notes, I sense a note of dawn iris shyly joined the violet-sweet.

The final component remains in the same tones but becomes fluffy. The violet-candy is invisible to my nose, and the only remaining notes of iris, perhaps a hint of cedar and vanilla (in real mute!) And white musk, soft and wispy. The same base notes I also recollect a perfume that I had completely forgotten: Soul Tuscany, World Perfume.

The overall composition seems pretty nice and elegant.

In my humble opinion, this Balenciaga Paris, manages the challenge of being both modern very consensual, and ultimately classic ... It should appeal to as many ... Small
"purple" on the cake: the bottle is simple but very chic

How To Build A Collimation -laser

Interlude ... Small

Want to share a musical moment with you. I like to melt at night in the company of Chopin ... Nocturnes, his nocturnal rivals meet with the most moving clarity.
Here's my favorite night played with soul and sensitivity by V. Ashkenazy (my choice fell on him, but versions of Lugansky, Lipatti, and kissin I also carry each for different reasons).

... And if this night was a perfume, it might be L'Heure Bleue ...

Female Doctor Cock Inspection

dialogue around contemporary Bronze Goddess Estee Lauder


Two teenage girls (or post-adolescent, I do not know the difference) in a Sephonnaud the corner, I tend ear

- Woaaa ..., Sabrina! Sabrina P'tin Come here!

- Qoâââ! P'tin kess' m'veux you?

- Sens-it !...' Tin! How it déchiire!

- Hmmmm! How does it feel good trôôô your thing here! 'Tin' What is c'te bombass ??!!!

- Bronze Goddess!

- For more tan? Wait-ohhh, trôôô biien!

- Woaââ, how I surkiffe one!!

- I finished my Amor Amor and I am one, y 'feel trôôô the beach!

- You do not interest, it is tsp for MOAA!

- ... 'Tin Toaa you serious delusions! Fuck you!




...


Notes: Mandarin, bergamot, lemon, orange.
Gardenia, jasmine, magnolia, orange blossom, lavender, coconut
Amber, sandalwood, vanilla, vetiver, myrrh

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Bitter Sweet Serge Lutens


fact is that I see taking age. As time passes, the more I mature, less sweet and delicious scents, fruity, candied vanilla, seduce me.
I remain a true lover of sweet, Orientals, of Cyprus, amber and other spices.
On the way to my discoveries scented more or less convincing, I met Bitter Sweet by Serge Lutens. Bitter Sweet
is a fragrance made by Christopher Sheldrake in 2000 for aesthetic perfumer Serge Lutens.
But beyond its name that I first challenged, there is this curious perfume composition that takes you on a track more or less explored, a pristine, a place of contrasts and contradictions singular, shadow and light, all shrouded in a veil of sweetness.
Everything is said in the name carries a kind of melancholy ... A steaming
I sense a cinnamon softened by a tiare flower and strangely it produces a "food" which I do not expect at all. I feel greedy break a note, velvety ... a little one that I feel when I grate chocolate shavings.
A mix here of white and dark chocolate, but these notes are completely digestible. Point of exaggeration in this passage calories (unlike Rahat Loukoum example!).
The most surprising is to come however, as the minutes moved over the famous phase "bitter" ... Tears of wormwood, pungent grass, green fairy, flow and trace furrows in the creamy chocolate but discreet. They are accompanied by notes which give an amazing aniseed note of freshness to the composition.
The middle notes are imprints of both sweetness and a delicious fresh bitterness. Singular fragrance, paradoxically, almost heartbreaking as an outstretched hand that moves inexorably ...
The third and final act is less interesting to my nose, it gives pride of place in a warm vanilla, woody and musky. You almost forget the improbable and beautiful dissonance of the intermediate phase of perfume ...

time slipping away, I get older, sugar scented m'indiffèrent at best amuse me, but I confess to have been bewitched by the beauty greedy unconventional first two phases of bittersweet.


Notes: Wormwood, cinnamon, tiare, jasmine, lily, vanilla.

NB: It appears that this perfume is doomed to disappear soon from the Serge Lutens export collection, though in principle it should reinstate the Salons du Palais Royal.