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I must admit that its expected output with a form of impatience! Ten fan of Balenciaga, a lovely purple agreement / iris, powdered to perfection, and still air of 1947, I was in expectation of this new opus whose nose is another designer Olivier Polge, and the artistic director Nicolas requiring Ghesquière.
Violet is supposed to yield its full potential in this orchestration of the 2000s.
So yes ... in fact, it's good that this is purple, with, like Guerlain Insolence or even "Love Me for Caron," always "this dimension slightly sweet and fruity significantly contributed to the floral and woody. I write the word "always", because this trend fruity is recurring and almost omnipresent in perfumery for some years.
Top notes thus suggest to my nose, obviously, a salad of red fruits, cherries, pears and juicy in which we have very generously deposited and broken shards of violet sweets, not to mention the small pinch of pink pepper (trendy, they also ...) to add spice and "sharpen" the whole.
Second Water fragrance powder, fairly cosmetic. This is not unlike the smell of some of our other compacts and lipsticks.
As the faint fruity notes, I sense a note of dawn iris shyly joined the violet-sweet.
The final component remains in the same tones but becomes fluffy. The violet-candy is invisible to my nose, and the only remaining notes of iris, perhaps a hint of cedar and vanilla (in real mute!) And white musk, soft and wispy. The same base notes I also recollect a perfume that I had completely forgotten: Soul Tuscany, World Perfume.
The overall composition seems pretty nice and elegant.
In my humble opinion, this Balenciaga Paris, manages the challenge of being both modern very consensual, and ultimately classic ... It should appeal to as many ... Small
"purple" on the cake: the bottle is simple but very chic
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