This French pianist and composer, residing in Paris, writes and performs music very internalized, highly subjective, subtly evocative, inspired by intimate emotions she is trying to convey with accuracy, giving each time a great importance on protecting the image and theme. For her, audiovisual composition must be a reflection of the actor's performance, and develop as an evidence against the feelings of the viewer. This album appears dressed in an image that was originally a mini-debate when it was released on Jamendo . This portrait front almost deranged, Perhaps because he was too kind, too direct, and that many would have liked more abstraction. But the drive was about to take a good listener to encounter inner feelings alive, moving, and close a newspaper perceived as a Eric Rohmer . The first thing that strikes me is that look, bright, full, carried high, driven by a hope, an expectation that monopolizes the attention immediately, and I wonder each time what they watch, they eyes, with so much attention and sincerity. This photograph, perfect, timeless, perfectly illustrates the contents of the album and has established itself as being an ideal visual translation. When the music is entitled to genuine compositions, sensitive and modest, and God knows where, the theme was dicey. It was tempting to indulge in sentimentality and syrupy sadness, the effects are easy ... And it is here that reveals all the qualities of the work. Sydney Poma has continually find the exact distance with his subject to captivate us and never put ourselves in a situation of voyeurism. There is a ceaseless play and very fine line between what she chooses to say and what she chooses to hide a sense of musical metaphor extremely driven and gives much depth under these headings. And then there's this desire especially to surprise the listener, to take him there or he was not expecting it, not give him exactly what he expects ... and this ability to invent the new themes is necessarily tainted the mark of a great talent .. There are a lot of classical musicians on Jamendo, I think few of them know reach this level of requirement. A another album follow, though not equally successful with no narrative coherence of the first. Slightly different also in the process, touching the emotions without abandoning them (less evocative, further illustration). we note on this second album 'Magic Box ' gift very very strange and intriguing, 'Blood ' gravity subtle borrows. And above all three titles reconnect with the special sensitivity of the previous album. 'Auschwitz ' or you feel deep pain incredulous question, ' wimming Pool ' disturbing light passing through transparency and ineffable ' About me' which is a delightful charmer your time to a few short confidences.
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